Thursday, July 9, 2015

The genre judgement conundrum

Okay, I’ll admit it: sometimes I don’t practice what I preach. I’ll write here all night and all day about not judging a movie before you see it, watching a variety of movies instead of sticking to your favorites, seeing movies outside your preferred genres, giving movies a chance even if they don’t get good reviews…but I confess, there are a lot of movies where I take one look at the trailer (or a DVD cover) and go, “Nope. Not a chance.” I have my pet peeves within a film, and if I know going in that the film I’m watching has those issues, it’s practically guaranteed I won’t like it. 

I can’t stand gore or torture porn. If you ask me to watch Evil Dead or Saw I will run away. I don’t like supernatural horror, mainly because it scares the hell out of me, but also because those movies have a tendency to rely on archetypes and jump scares instead of fleshing out a real story. I don’t like R-rated comedies where 90% of the jokes revolve around sex, controlled substances, or petty crime. Oh, and don’t even ask me to consider knockoff parodies like the Scary Movie series--there is no chance in hell. I hate those cheap comedies most of all, because all I can think about when I watch them is, if only I had those resources…God, what I could do instead of making crap like this.

So when I found myself putting Ted into my DVD player, all I could do was stand there, disgusted, and ask myself, what in God’s name am I doing.

Let me back up here and explain that back in May, Ian took me to Motor City Comic-Con and it was pretty much the best date of my life. I got to sit in on a panel with a Supernatural writer, meet some of my favorite actors, and oh yeah, meet and talk to Billy Boyd--thanks to Ian, who surprised me by not only taking me to the con, but getting me a photo op with my favorite Hobbit. So, to thank him, I offered to let him pick the next ten movies we saw together. So far I’ve loved all of the ones we’ve seen (up to yesterday we’d watched treasures like The Truman Show and Angels in the Outfield) but when he came over the other day he handed me a DVD that I desperately wanted to throw in the trash can.

I hate, hate, hate movies like Ted. They are full of raunchy, cheap jokes that rely on shock value and foul language instead of actual humor. The acting is usually half-assed at best, unless a weirdly good actor randomly ends up in an otherwise-shitty movie. One of the reasons I get so pissed off when people like Ethan Hawke compare all mainstream films to “hamburgers and hot dogs” is because it means they’re lumping in truly brilliant blockbusters, like Back to the Future and Jurassic Park, to crap like This Is The End and Epic Movie. These films are, in my mind, truly empty entertainment. I can’t remember the last time I watched one of those movies and came away thinking, “Y’know, I’m glad I watched that.” I’d sooner watch any of the junk featured on Mystery Science Theater 3000 than put myself through Superbad, Bridesmaids or The Hangover.

So you can imagine it took a fair bit of convincing to get me to watch Ted. Ian had to repeat over and over that it was really cute, that the jokes weren’t all centered around sex, that it was one of Seth MacFarlane’s better projects, and that the acting was actually pretty decent. I tried to guilt him out of it, reminding him that my ex had once forced me into seeing Scary Movie 5 and it gave me nightmares and I hated porn jokes and can’t we please watch, I don’t know, Nightmare on Elm Street instead? But he reminded me of my promise and I finally gave in and watched Ted.

Now, I won’t say I loved it. I didn’t. It was decent, but it’s not going to be on any of my top ten lists. And I can see why it wasn’t an Oscar favorite. I can’t say I’m suddenly interested in watching another handful of similar comedies. I’m not about to run out and see the sequel, and God knows it’s not going to turn me into a MacFarlane fan.

But…

But for all its flaws, Ted is actually pretty damn cute. It’s raunchy, yes--for anyone who hasn’t seen it, allow me to drop a little spoiler: the teddy bear gets laid--but there’s enough wit in the humor to offset some of the more tasteless potty humor. Okay, maybe it’s still about as stupid as you’d expect (at one point I told Ian “if they make one more fart joke I’ll throw something") but there are some pretty good lines, there’s some nice banter here and there, the celebrity cameos are well-timed, and the romance between Mark Wahlberg and Mila Kunis’s characters is actually fairly believable. Not only that, but there are some moments that would make any Tumblr warrior proud: a gay love story is casually tossed in and treated like it’s no big deal, and at one point Wahlberg’s character sarcastically says that if he’s assaulted it’s his fault for “asking for it.” Little things like that keep the movie from collapsing into pure, unadulterated piles of yuck, but underneath all of the both PC and non-PC humor, the whole thing is actually…sweet. Surprisingly sweet, in fact, given that the film is about a foul-mouthed twentysomething teddy bear and his childish human BFF.

Like I said, I’m not about to run out and rent all three of the Hangover movies. And no power on this earth will make me see the rest of the Scary Movie franchise. And, please, someone shoot me on the spot if I ever think about making a movie with that many fart jokes. But watching Ted--and actually enjoying Ted--gave me a new perspective. I’ve been sulking furiously over every last indieWIRE article that makes fun of Jurassic World or insinuates that blockbusters are empty brain candy, only to turn right around and call a whole other genre “brain candy” without even watching the majority of the films in that category. And that, as I’m sure any sane person would tell me, is not fair.

No, Ted isn’t a masterpiece. But it’s still a movie that took time and energy and, yes, a lot of money to make. Someone had to come up with the idea, however cringe-worthy, of letting a cute, fuzzy teddy bear have sex with Norah Jones. (And can we just take a minute to admire the guts it took for that woman to take on a film role where she fondly reminisces about getting it on with a frickin’ stuffed animal? I’m not sure I would’ve done that.) Someone had to write, direct, film, edit, and distribute this thing. Just like all my favorites, Ted was the product of a group of very dedicated people who didn’t give a shit about anything except the fact that they had a story to tell. 

And whether you liked the film or not, you’ve got to at least give it some credit for that reason alone. At least, I have to. Because I can’t call myself a bad-movie champion, and give the critics hell for judging a movie based on its genre, and then refuse to give movies like Ted a chance.

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